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Chapter 1 – Introduction
30-Day Music Producer Challenge
Exit Course
Chapter 1 – Introduction
0 of 208 lessons complete (0%)
Phase 1.0 – Drums & Groove: Drums: Building drums with Roland Cloud’s 909, 808, 707, 727 & 606
Chapter 1 – Introduction
Preview
Chapter 2 – 909
Chapter 3 – 808
Chapter 4 – 707
Chapter 5 – 727
Chapter 6 – 606
6 lessons
Phase 1.1 – Drums & Groove: Module 1.1: Drums: Sampling drums in house music
Intro
Preview
Chapter 1: Sound Selection & Sound Choice
Chapter 2: Kick Drum Sampling
Chapter 3: Loop Sampling
Chapter 4: Loop Chopping
5 lessons
Phase 1.2: Drums & Groove: Chicago House Grooves with Loopcloud
Chapter 1: Introduction
Preview
Chapter 2: What is Chicago House
Chapter 3: Examples of Chicago House grooves
Chapter 4: How Loopcloud works
Chapter 5: Import your own sample library
Chapter 6: Building a groove foundation
Chapter 7: Hi-hat Rhythms
Chapter 8: Claps and percussion
Chapter 9: Creating rhythmic vocals
Chapter 10: Adding a bass or melody
10 lessons
Phase 1.3: Drums & Groove – Using Rhythmizer on Drums, Bass & Melody
Chapter 1: Introduction
Preview
Chapter 2: Helping With The Drums
Chapter 3: Creating A Bassline
Chapter 4: Making Melodies
Chapter 5: Summary
5 lessons
Phase 1.4: Creating Movement with Call & Response
Chapter 1 – Introduction
Preview
Chapter 2 – Drums
Chapter 3 – Bass
Chapter 4 – Synths
4 lessons
Phase 1.5: Limitation Series Part One – Creative Constraints
Intro
Preview
Chapter 1 – The Simple Synth Approach
Chapter 2 – Plugin Paralysis (Compression)
3 lessons
Phase 1.6: Limitation Series Part Two – No-Friction Workflow
Intro
Preview
Chapter 1
2 lessons
Phase 2.0: Bass & Low-End Control – How to Create Six Essential Basslines for House and Tech House
Intro
Preview
Intro – Bassline Teasers
Chapter 1 — Follow Bass / Underpinned Sub
Chapter 2 — Progressive Tech House Bass (Max Styler / Sylenth)
Chapter 3 — 16th Bass (Serum LFO-Driven)
Chapter 4 — Classic House Bass (Late 80s / Early 90s Square Wave)
Chapter 5 — Sting Bass (Using Max for Live Sting 2)
Chapter 6 — Sampled Bass (Isolating Basslines from Existing Tracks)
8 lessons
Phase 2.1: Bass & Low-End Control – Creating Acid Basslines Using ABL Basslines VST
Chapter 1: Introduction
Preview
Chapter 2: History of Roland TB303
Chapter 3: Examples of Acid House tracks
Chapter 4: Getting started with the ABL Bassline
Chapter 5: How to program an Acid Bassline
Chapter 6: Converting audio samples
Chapter 7: Importing and manipulating patterns
Chapter 8: Layering multiple ABL Basslines
Chapter 9: Adding effects
9 lessons
Phase 2.2: Bass & Low-End Control – Sub Bass Science: Get That Low-End Right
Intro
Preview
Chapter 1: Understanding Sub Bass
Chapter 2: Sound Design & Source Selection
Chapter 3: Processing Sub Bass
Chapter 4: Mixing & Monitoring for Low End Accuracy
5 lessons
Phase 3.0: Synths, Sampling & Vocals – 90’s Inspired House Music – Which Synths to Use?
Chapter 1 – Introduction
Preview
Chapter 2 – Examples Of Sounds
Chapter 3 – Korg M1
Chapter 4 – Kontakt
Chapter 5 – Yamaha DX7
5 lessons
Phase 3.1: Synths, Sampling & Vocals – 90’s Inspired House Music – Synths for House Music
Chapter 1 – Introduction
Preview
Chapter 2 – Roland Juno 106
Chapter 3 – Roland SH-101
Chapter 4 – Roland TB-303
Chapter 5 – Korg M1
Chapter 6 – Yamaha DX-7
Chapter 7 – Mini V
Chapter 8 – Diva
Chapter 9 – Serum 2
9 lessons
Phase 3.2: Synths, Sampling & Vocals – Using Captain Chords to Write Chords and Melodies
Chapter 1 – Introduction
Preview
Chapter 2 – Getting Started With Captain Chords
Chapter 3 – Routing Through a VST
Chapter 4 – Exporting Your Melody as Audio
Chapter 5 – Using the Inbuilt Synth Sounds
5 lessons
Phase 3.3: Synths, Sampling & Vocals – Using StemCellz VST Plug-ins
Chapter 1: Intro
Preview
Chapter 2: Yellow Sub
Chapter 3: Reese Bass
Chapter 4: Synthinator
4 lessons
Phase 3.4: Synths, Sampling & Vocals – How to Chop a Sample Like Daft Punk
Chapter 1: Introduction
Preview
Chapter 2: How Daft Punk manipulate their samples
Chapter 3: How to use Chop Beast
Chapter 4: Adding Drums and a Filter
Chapter 5: Recap
5 lessons
Phase 3.5: Synths, Sampling & Vocals – How to Chop a Sample Like Daft Punk
Chapter 1 – Introduction
Preview
Chapter 2 – Beatport
Chapter 3 – Using Audimee
Chapter 4 – Searching YouTube
Chapter 5 – Crate Digging Vinyl & Discogs
5 lessons
Phase 3.6: Synths, Sampling & Vocals – Lyric to Vocal – Recording with AI
Intro
Preview
Chapter 1: Meet Audimee; Your AI Voice
Chapter 2: Write killer lyrics with AI
Chapter 3: Lay it down; Recording your own vocals
Chapter 4: Voice change with AI
Chapter 5: Mix your AI vocal
Chapter 6: The AI workflow recap
7 lessons
Phase 3.7: Synths, Sampling & Vocals – Lyric to Vocal – Creating Vocals with Suno AI
Chapter 1 – Introduction
Preview
Chapter 2 – How To Use Suno AI
Chapter 3 – Using Chat GPT To Write Lyrics
Chapter 4 – Generating Ideas
Chapter 5 – Exporting Stems Back Into Your Project
5 lessons
Phase 3.8: Synths, Sampling & Vocals – Lyric to Vocal – Manipulating Vocals with Ace Studio
Chapter 1: Intro
Preview
Chapter 2 : Building A Groove And Choosing A Sample
Chapter 3: Getting Started With Ace Studio
Chapter 4: Manipulating The Vocal Sample
Chapter 5: Using The DAW Bridge
Chapter 6: Summary
6 lessons
Phase 3.9: Synths, Sampling & Vocals – Lyric to Vocal – Cleaning Up Samples – Supertone’s Clear
Chapter 1: Introduction
Preview
Chapter 2: Using Clear With YouTube Samples
Chapter 3: Using Clear With Vinyl Samples
Chapter 4: Summary
4 lessons
Phase 4.0: Arrangement & Energy – Like Dis Arrangement P.T.1
Intro
Chapter 1: Using reference tracks right
Chapter 2: Session preparation and arrangement planning
Chapter 3: Designing effective FX chains for transisions
Chapter 4: Pre-arrangement techniques
Chapter 5: Crafting the build up
Chapter 6: Pre-break and drop arrangement
7 lessons
Phase 4.1: Arrangement & Energy – Like Dis Arrangement P.T.2
Intro
Preview
Chapter 1: The Subtractive Arrangement Method
Chapter 2: Intro, First Break & Initial Drop
Chapter 3: Transitioning to the Main Break
Chapter 4: Designing the Main Drop
Chapter 5: Arranging an Effective Outro
6 lessons
Phase 4.2: Arrangement & Energy – A Peak Time House Track Arrangement
Chapter 1: Introduction
Preview
Chapter 2: Drum Intro
Chapter 3: Bassline Intro
Chapter 4: First Break
Chapter 5: First Drop
Chapter 6: Main Breakdown
Chapter 7: Main Drop And Keeping The Energy
Chapter 8: Outro
Chapter 9: Final Arrangement
9 lessons
Phase 4.3: Arrangement & Energy – Transition Techniques
Chapter 1 – Introduction
Preview
Chapter 2 – Manipulating Kicks
Chapter 3 – Using Crashes
Chapter 4 – Filtering
Chapter 5 – Effects and Chopping Sounds
5 lessons
Phase 4.4: Arrangement & Energy – Elevate Your Track – Advanced Techniques
Intro
Preview
Chapter 1.0: Creative resampling
Chapter 1.1: Advanced resampling
Chapter 2.0: Seamless transitions
Chapter 2.1: Advanced transitions
Chapter 3.0: FX & arrangement polish
Chapter 3.1: Adding sonic texture
Chapter 3.2: Creative reverb techniques
Chapter 3.3: Automation for dynamic movement
9 lessons
Phase 5.0: Mixing & Mastering – Mixing Fundamentals
Intro
Preview
Chapter 1.0: Essential mixing plugins
Chapter 2.0: Setting up your mix
Chapter 3.0: Drum mixing foundations
Chapter 3.1: Drum bus processing
Chapter 4.0: Mixing bass & low end
Chapter 5.0: Mixing synth & using span
Chapter 6.0: Mixing vocals
Chapter 6.1: Mixing FX
Chapter 7.0: Mixing mindset and final tips
10 lessons
Phase 5.1: Mixing & Mastering – Mix Anywhere
Intro
Preview
Chapter 1 – Producing & Mixing Without a Studio
Chapter 2 – Headphones as the Main Tool
Chapter 3 – The Laptop Speaker Reality Check
Chapter 4 – The Final Real-World Check
5 lessons
Phase 5.2: Mixing & Mastering – Mixing Series E.P.1 – The Kick Drum
Intro
Preview
Chapter 1: Sound Choice & The Channel Strip
Chapter 2: Saturation
Chapter 3: EQ
Chapter 4: Compression & Transient Design
5 lessons
Phase 5.3: Mixing & Mastering – Mixing Series P.T.2 – Mixing Bass That Works with the Kick
Intro
Preview
Chapter 1: Sound Choice
Chapter 2: Compression
Chapter 3: Parallel Saturation
Chapter 4: EQ & Sidechain Techniques
5 lessons
Phase 5.4: Mixing & Mastering – Mixing Series P.T.2 – Drum Buss Foundation – Tone, Glue & Energy
Intro
Preview
Chapter 1: What Is Top-Down Mixing
Chapter 2: Overview
Chapter 3: The Channel Strip for The Drum Buss
4 lessons
Phase 5.5: Mixing & Mastering – Mixing Series P.T.2 – Drum Buss Foundation – Saturation & Reductive EQ
Intro
Preview
Overview
Chapter 1: Single-Band Saturation
Chapter 1.1: Multi-Band Saturation
Chapter 2: Reductive EQ
5 lessons
Phase 5.6: Mixing & Mastering – Mixing Series P.T.2 – Drum Buss Foundation – Compression & Additive EQ
Intro
Preview
Overview
Chapter 1 – Compression
Chapter 1.1 – Parallel Compression
Chapter 2 – Additive EQ
5 lessons
Phase 5.7: Mixing & Mastering – Mixing Series P.T.2 – Drum Buss Foundation – Individual Drum Control, Clipping & Limiting
Intro
Preview
Chapter 1 — Individual Drum Control
Chapter 2 — Clipping
Chapter 3 — Limiting
4 lessons
Phase 5.8: Mixing & Mastering – Reverb: The Secret to Tight Drum Mixes
Intro
Preview
Chapter 1: Why Use Reverb on Drums (And How to Set It Up Right)
Chapter 2: How to Use Reverb for Drum Glue and Cohesion
Chapter 3: How to Compress Your Drum Bus for Punch and Control
4 lessons
Phase 5.9: Mixing & Mastering – Stereo Width Demystified
Intro
Preview
Chapter 1 – The Haas Effect: Why the Quick Fix Backfires
Chapter 2 – Mid/Side: The Difference Between Width and Damage
Chapter 2.5 – Width Buses: How to Add Width Without Commitment
Chapter 3 – Stereo Faking: When Movement Beats Width
Chapter 4 – Contrast: Why Narrow Makes Wide Feel Wide
6 lessons
Phase 5.10: Mixing & Mastering – Mastering ‘Like Dis’ – From Mix to Magic
Intro
Preview
Chapter 1: Preparing for Mastering
Chapter 2: Understanding Loudness
Chapter 3: The Mastering Chain
Chapter 4: Achieving loudness without distortion
Chapter 5: Widening & spatial polish
Chapter 6: Finishing the master
7 lessons
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