-

Sub Bass Science: Get That Low-End Right
Let’s talk sub bass — that deep, wobbly magic that rattles your neighbour’s teeth and either makes or breaks your mix. Whether you’re producing techno, trap, or just want your track to hit harder than your caffeine habit — this is for you. I’m gonna break it all down into four tasty chapters. Let’s dive…
-

Using StemCellz VST Plug-Ins
In this course we take a look at StemCellz plug-ins. These are very well designed, easy to use and cost effective plug-ins for your productions.
-

Reverb: The Secret To Tight Drum Mixes
In this video, we’re diving into a powerful but often misunderstood technique for tightening up your drum mixes: using reverb as glue. Forget drowning your drums in space — we’re talking about subtle reverb that brings the whole kit together, adds cohesion, and makes it feel like your drums are playing with each other instead…
-
ArrangementBassDrumsHouseMelodiesMixingSynthTech HouseTrack BreakdownTransitionsVocalVSTVST SynthWriting hooksRide That Beat – Full Track Breakdown
Join D.Ramirez in the studio for an in-depth breakdown of Ride That Beat, the high-energy house track co-produced with legendary vocalist and producer Cevin Fisher. This is a must-watch for producers, artists, and fans who want to understand how top-tier house music is built from the ground up.
-

How To Chop A Sample Like Daft Punk
An in depth look at how to chop and manipulate samples like Daft Punk using Chop Beast.
-

Mastering ‘Like Dis’ From Mix To Magic
Mastering Fundamentals – Loud, Clean & Release-Ready. Take your finished mix to a professional level with a structured, hands-on approach to mastering.
-

Club Bad Style Tribal house track with Kontakt
An in depth look into making a Tribal House track inspired by Mele’s Club Bad Label using Kontakt.
-

Mixing Fundamentals
Build solid mixing habits, master your tools, and deliver clean, balanced, professional-sounding tracks.
-

Elevate Your Track – Advanced Techniques
Take your production to the next level with cutting-edge resampling, transitions, FX, and arrangement polish.
-

Like Dis Arrangement – Part 2
Break down, refine, and structure your track section by section using the Subtractive Arrangement Method.
-

Cost Effective Plugins Bass Face VST
Showcasing Soda Musics brilliant Bass Face VST Instrument, Demonstrating that great sounding plugins don’t have to break the bank.
-

Chicago House Grooves with Loopcloud
A detailed insight how to use Loopcloud by Loopmasters to build a Chicago House Inspired Drum Groove.
-

Lyric To Vocal – Recording with AI
Want to write your own lyrics, record your vocals, and then transform your voice into something completely new using AI? This course will guide you through the full creative process — from generating lyrics with ChatGPT to voice swapping with Audimee and mixing your final vocal.
-

Creating Acid Basslines Using ABL Basslines VST
A full explanation on how to create acid basslines using this Roland TB-303 emulator.

Go To Synths For House Music
In this course, I break down 8 of my go-to synths for house music production and show you…

How to Finish More Music
A workflow-focused course built around momentum, speed, and creative restrictions. In this course, D. Ramirez shows you how…

Creating Vocals With Suno AI
In this course, I’ll show you how I use Suno and OpenAI’s ChatGPT as creative tools inside my…

How To Properly Warp Vocals in Ableton Live
Warping vocals in Ableton Live is often done incorrectly, which is why so many tracks end up sounding…

Creating Movement With Call & Response
In this course, I show you how to create more groove, movement and character in your tracks using…

Limitation Series, Part Two – Build a Track Using Limitation (No-Friction Workflow)
In the previous lesson, we explored how friction — specifically too many decisions — is one of the…

Building Drums With Roland Cloud’s 909, 808, 707, 727 & 606
In this course, I show you how to build powerful house and tech house drum grooves using Roland…

Limitation Series, Part One – Why You’re Not Finishing Music
Most producers assume that not finishing music is a skill issue — that they need better sounds, more…



